Tuesday, 13 February 2018

Unifying Haptics

Gestures and scripts, narrated physicality made into humour.


The humour is made of the physical; the character stops and looks.


The character stops and looks, accusing
or bewildered

as a piece of inert matter apparently mocks their existence.

The inert matter is willful
accidentally animate
suspiciously willful

and yet in every instance of scrutiny it
the thing
it appears as its appearance


an object
a thing
inert matter

which thwarts one's gestures
and rewrites the desired narrative.

It is in narrative thwarted that we find humour arising.
It is in the humorous lubricate of frustration that narrative begins.

Unifying haptics, holding hands.




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